Neither concept of selfhood available to their own–the hypersexualized West Asian or perhaps the hyperfeminized unique most other–try viable selection, nor manage they supply her into versatility to pursue her own passion
Kyung cannot follow their particular best self because the portrayed from the new performer because anybody else push certain identities through to their, and this convergence and you will participate: the brand new hypersexual construct, and therefore emphasizes Far eastern curiosity about Western-style “freedom,” specifically sexual versatility; the fresh hyperfeminine title, dictated because of the worldwide discount, which decreases the at the mercy of a great commodified (Asian) cultural almost every other; as well as the self just like the predicated on negation otherwise rebellion. This type of essentializing and you may reactive constructs, all of these end Kyung off gaining a satisfying feel out of worry about, result in a desire to annihilate those individuals significance. She does this of the wrecking their comical book shop, the area from stunted manliness one to desires little more than to help you assemble and you will objectify. But not, this criminal act–and this Kalesniko develops over to twenty pages–stays unsatisfying. Shortly after fighting which have Monty, and you can discovering that she does not have it in her own so you can exit your, Kyung reverts so you can an identity made available to their particular within the Korea: kopjangi, or coward (248). Lifestyle having Monty proves disappointing, Eve does not save her, and Kyung is scared to put aside unsupported as well as on her individual. İncele
